Prayer wheel, 2021, video loop, 34:50 min.
‘Wat er gebeurt wanneer er niets gebeurt’, ZUIVER., De Cacaofabriek, Helmond.
Walnuts, 2021, video loop, 35:11 min.
‘Wat er gebeurt wanneer er niets gebeurt’, ZUIVER., De Cacaofabriek, Helmond.
Krompasser, 2022, ceramic, 29,5 x 1.5 cm.
Kettinglijn (parabola), 2021, 98 pieces various sizes, brassica rapa haw, ceramic, slik yarn, 201 x 70 x 1 cm, +- 3,5 m.

Sprinkle never-in-a-rush essence
Jolijn van den Heuvel & Bas de Weerd, duo-exhibition
DAS ESSZIMMER – space for art+, Bonn 
23-09-2021/16-12-2021

In Sprinkle never-in-a-rush Essence, the work of Jolijn van den Heuvel and Bas de Weerd meet in stillness, in slowing down and in the poetic everyday experiences. In different media, both artists search for subtle image structures that show this sense of slowing down: in photography, ceramics, paintings, and video.

Publication Sprinkle never-in-a-rush essence

This exhibition project was realized in collaboration with Sea Foundation Tilburg and with the support of the cities of Tilburg and Bonn, der Sparkasse in Bonn, Kalender:Kunst im Rheinland and the embassy of the Netherlands in Germany

Sunburst (honey locust), 2021, ceramic 28 x 13 x 6 cm.
 Sunburst (honey locust), 2021, porcelain, 23 x 13 x 5 cm.
Ze drukte de waaier tegen het linkeroor, 2021, Hahnemühle PhotoRag, 308 gram, 75 x 49,5 cm.

Sterren licht, 2021, Hahnemühle PhotoRag, 308 gram, 114,5 x 60 cm.
 Widowmakers (Pinus coulteri cone), 2021, Hahnemühle PhotoRag, 308 gram, 19,5 x 29,5 cm.
Tapijt op rol, 2021, Hahnemühle PhotoRag, 308 gram, 19,5 x 29,5 cm.
Rosa Blütenblätter, 2021, non-woven wallpaper, 190 x 114 cm.
Schaduwspel, 2021, installation, print on chiffon, aluminium tube, cables, 148 x 255 cm.
Relaxed fit jeans, 2021, Hahnemühle PhotoRag, 308 gram, 19,1 x, 29,5 cm.
 Rood blad met kikker, 2021, Hahnemühle PhotoRag, 308 gram, 19,3 x ,29,5 cm.

Gouden uur, 2021, Hahnemühle PhotoRag, 308 gram, 23,2 x 35 cm.

Flaneren, 2021, 1920 x 1080, video projection, video loop, H.264 AAC (MP4-file). Video still.
Honesty/Ehrlichkeit, 2021, ceramic, 5,5 x 3,2 x 0,5 cm.
Frottage, 2021, Hahnemühle PhotoRag, 308 gram, 29,6 x 19 cm.
Left; Bloemen stapeling, 2021, installation, print on chiffon, aluminium tube, cables, 126 x 203 cm.  
Sprinkle never-in-a-rush essence, 2021, duoshow with Bas de Weerd, at Das Esszimmer, DE
Artist talk; Sprinkle never-in-a-rush essence, 2021, duoshow with Bas de Weerd, at Das Esszimmer, DE. Moderator; Linda Köke.
Publication Sprinkle never-in-a-rush essence
Luchtdans, 2021, video still.
Luchtdans, video projection, loop. ACHTERLAND, Kruisruimte, Eindhoven. Alongside work of Bas de Weerd; dichtheid,dichtbij (Collse Watermolen).
CD, 2021, video projection, loop. ACHERLAND, Kruisruimte, Eindhoven
CD, 2021, video projection, loop.
Judaspenning, 2021, mal gips.
Drie vlechten, 6 bij 4 centimeter klein, vloer vondst 2021.
Drie vlechten, 6 bij 4 centimeter klein, vloer vondst 2021, ACHTERLAND, Kruisruimte, Eindhoven.
Halesia Carolina, 2020, clay, varnish, (6 x 2 x 2 cm).
Plant I, Plant II, 2020, Hahnemühle bamboo fine-art print, 15 x 21cm, (passe-partout framed) One week virtual exhibition @Punch!, Amsterdam. 2021
Twee ijskoffies, 2019, Hahnemühle bamboo fine-art print, 15 x 21cm, (passe-partout clip frame)
Twee koffies, 2019, Hahnemühle bamboo fine-art print, 21 x 15cm, (passe-partout clip frame)

BENEFIT FOR BRABANT, PARK platform for visual arts, Tilburg.
Solo show Between Hands, 2020, SEA Foundation, Tilburg.
Vingertoppen bevoelen, 2020, 00:43 min, video loop. Picture tube television.
The video shows the careful instalment of a semi-translucent sticker on a window. Highlighting the ephemeral moment between public and private. Where the two people seek privacy, your gaze is drawn to the movements of pushing palms and feeling fingertips.

Solo show Between Hands, 2020, SEA Foundation, Tilburg. Curatorial text about art poetry and language by Lieselotte Egtberts; Framing poetic gestures.
Bal, 2019, dibond 3mm. 70 x 51 cm. De Roze Sokkel, exhibition #3, NS16, Tilburg.
Untitled, 2019. FHD video, 5:00 min loop, video projection. De Roze Sokkel exhibition #3, NS16, Tilburg.
SCENARIOS OF DESIRE II, 2019, Emergent, Veurne, BE.
Curators: Roxane Baeyens, Koen Delaere, Bas van den Hurk
Artists: Koen Delaere & Bas van den Hurk Matthew Allen, Thomas Bakker, Matea Bakula, Raymond Barion, Marieke Berghuis, Julie Cockburn, Catharina Dhaen, Piet Dieleman, Jeroen Doorenweerd, Aleana Egan, Fergus Feehily, Tatjana Gerhard, Sanne Jansen, Tyrell Kuipers, Antonietta Peeters, Fawn Rogers, John Stezaker, Jolijn Van Den Heuvel, Jochem Van Laarhoven, Dan Van Severen.

Scenarios of Desire II, een duo- én groepstentoonstelling, is als een tegengewicht voor de vluchtigheid van op het internet voorbijflitsende foto’s, een tentoonstelling met kunstwerken vol van energie en leven. Kunstwerken die zich voortbewegen en ontwikkelen aan verschillende snelheden. Kunstwerken die erop staan om de wereld aan te raken en er op hun beurt door geraakt te worden.

We live in a period without a clear timeframe, a period fragmented into different timelines that now and then, without any regularity, intersect our shared space. This multitude of competing and overlapping temporalities can be found in individual works of art as well as in the world as a whole. Call it a frictional field of competing forces. But how do we navigate in such a world? How do we find a way? How can we envision a future? (lees meer / dutch only)

visitors guide: Scenarios of Desire II (dutch)
Wensbeen I, 2019, ceramic, pearl glaze (8 x 13 x 7 cm)
Wensbeen I, 2019, ceramic, pearl glaze (8 x 13 x 7 cm)  Wensbeen II, 2019, porcelain (15 x 13 x 7 cm)
I remember the wishbone as a common object that was present in my parental household. For example, after boning the turkey, I was allowed to break the wishbone to see who was left with the longest piece. To then make a wish.
Zaadkegel, 2017, porcelain, 26 x (2 – 2,5 Ø). Tand, 2018, porcelain, 33 x (2 x 0,5). Mold printings; teeth and seed cones Cypress tree.
Paraplu, 2019.
Twee koffies, 2019.
Fragmenten, 2019, series, inkjet satin-gloss prints, various sizes, TAC, Eindhoven.
Als stof zo voelde het aan, 2019, voile, installation 2,8 x 1,3 m, TAC, Eindhoven.
Als stof zo voelde het aan, 2019, FHD video, 1:00 min, loop, video projection & voile 90,71 x 60,90 cm, TAC, Eindhoven.
Group exhibition If sky enters If light If water If dirt If fabric touches, TAC, Eindhoven.
VITRINE AFFAIRS
VITRINE AFFAIRS solo show, The Balcony, Den Haag, NL. 2019
VITRINE AFFAIRS solo show, The Balcony, Den Haag, NL. 2019

De Roze Sokkel exhibition #2, Kunstpodium T, Tilburg.

Beddengoed, 2018. Photo print on sheet, duvet, iron frame. Installation 1,50 x 2,30 m. De Roze Sokkel exhibition #2, Kunstpodium T, Tilburg.
Vlecht, 2018, De Muzerije, Den Bosch.
Vlecht, 2018.

Untitled, 2018, De Muzerije, Den Bosch.
Untitled, 2018.
Bushok 1, 2017. Photo paper matt 315 g. 74 x 42 cm.
Bushok 2, 2017. Photo paper matt 315 g. 74 x 42 cm.
Transitie, 2017. FHD video, 2:32 min, loop, video projection.
Gevoel van het geziene, 2018. Installation mixed media. 7,40 x 4,80 m.
Found and collected material, 2018. Teeth: Marinus, Elise, Mirte, unknown. Seed cones Cypress tree. Bullet shells: G.F.L. 357 Magnum, C.B.C 9 mm Luger, G.F.L 33 Special, C.B.C 45 Auto, D.A.G 7,62 x 51.
Forms I, 2018. ceramic, glaze. Ø 53 x 19 cm. Forms II, 2018.  Mold printings; teeth and seed cones Cypress tree, porcelain, glaze. 2 – 5 cm.
Opening in floor, 2018. Water, radial fan. Ø 64 cm.

Handschoen, 2017.

© 2023 Jolijn van den Heuvel